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Free for Commercial Use

Sans Superellipse Saka 2 is a very bold, narrow, medium contrast, italic, normal x-height font visually similar to 'Murat Grotesque' by Bülent Yüksel, 'Kuunari' and 'Kuunari Rounded' by Melvastype, 'Ordax' by The Northern Block, 'Headlines' by TypeThis!Studio, 'Maqui' by Typodermic, and 'Expansion' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, apparel, sporty, urgent, dynamic, industrial, retro, compact impact, speed emphasis, display branding, signage clarity, condensed, slanted, blocky, rounded, ink-trap hints.


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A condensed, heavy sans with a consistent rightward slant and tightly packed proportions. Strokes are thick and fairly even, with subtly rounded corners and squared-off curves that give counters a rounded-rectangle feel. Terminals are clean and blunt, and joins are sturdy, producing a compact, high-impact texture. The lowercase shows sturdy bowls and short, efficient arms, while numerals are similarly compact and built for bold display rhythm.

Best suited to headlines, posters, and high-impact branding where compact width and bold presence are advantageous. It works well for sports and motorsport-style graphics, product packaging, apparel marks, and punchy UI callouts where legibility needs to hold under strong weight and tight spacing.

The overall tone is fast, forceful, and utilitarian, with a strong sense of forward motion from the slant and condensed width. Its blocky rounding adds a touch of retro machinery and athletic signage energy, balancing toughness with approachability.

The font appears designed to deliver maximum impact in limited horizontal space while projecting speed and strength. Its rounded-rectangular construction suggests an intention to feel modern and engineered rather than calligraphic, with shapes optimized for bold display and logo-like presence.

At text sizes it reads as a dense, continuous black stripe, making spacing and line length important for comfort. The design’s rounded-rectangle geometry keeps the heaviness from feeling sharp, and the condensed set favors short bursts of copy over long paragraphs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸