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Free for Commercial Use

Sans Contrasted Bepe 2 is a bold, very narrow, medium contrast, upright, tall x-height font.

Keywords: headlines, posters, magazine titles, branding, packaging, modernist, editorial, assertive, condensed, stylish, space saving, headline impact, editorial tone, premium feel, modern styling, high-waisted, crisp, clean, sculpted, vertical.


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A tightly condensed, vertically oriented typeface with strong thick–thin modulation and a predominantly straight, clean construction. Curves are tall and taut, with small internal counters and a pronounced vertical rhythm that keeps words compact. Terminals read mostly blunt and decisive, while select letters show subtle flaring and tapered joins that add a touch of calligraphic refinement without becoming decorative. Uppercase forms feel poster-like and architectural; lowercase maintains a tall profile with compact bowls and minimal sidebearings.

Best suited for display settings where space is limited and a strong vertical profile is an advantage—headlines, magazine and editorial titling, posters, and brand marks. It can also work for packaging or labels that need compact, high-impact wording. For longer reading, it will perform more comfortably as short pulls, decks, or subheads rather than extended paragraphs.

The overall tone is confident and editorial, with a fashion-forward, display-driven presence. Its compressed proportions and sharp rhythm create a sense of urgency and sophistication, suited to attention-grabbing headlines. The contrast adds polish, giving it a sleek, contemporary voice rather than a utilitarian one.

The design appears intended to deliver a compact, high-impact voice that maximizes presence in narrow widths while retaining a refined, contrasted finish. It balances geometric cleanliness with just enough modulation to feel upscale and deliberate, aiming at modern editorial and branding applications.

In the sample text, the narrow set and high vertical emphasis produce dense texture and strong columnar color, especially in mixed-case lines. Numerals follow the same condensed logic and read as sturdy, headline-friendly figures. The design favors impact over spacious readability, particularly as letterspacing tightens at larger blocks of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸