Sans Superellipse Emrus 5 is a regular weight, wide, low contrast, italic, normal x-height font.
Keywords: ui design, product branding, tech packaging, wayfinding, headlines, sleek, techy, aerodynamic, modern, neutral, modernization, streamlining, system design, dynamic emphasis, geometric coherence, rounded, superelliptical, oblique, monoline, soft corners.
A monoline oblique sans with a distinctly superelliptical construction: bowls and counters read as rounded rectangles rather than circles, and terminals are smoothly radiused throughout. The drawing keeps strokes even and clean, with a slightly squared-off feel in curves (notably in O/Q/0 and the rounded lowercase) that creates a crisp, engineered rhythm. Proportions are on the roomy side with generous widths and open apertures, and the oblique slant is consistent across capitals, lowercase, and figures. Figures and letters share the same rounded-rect geometry, giving the set a cohesive, system-like texture in running text.
Well-suited to interface typography, product and technology branding, and contemporary editorial headlines where a clean oblique voice is needed. The open shapes and uniform stroke behavior also make it appropriate for short-to-medium text in catalogs, dashboards, labels, and modern signage systems.
The overall tone feels contemporary and functional, with a calm, technology-forward character. Soft corners keep it approachable, while the controlled geometry and steady slant add a sense of speed and precision. It reads as clean and professional rather than playful or expressive.
The design appears intended to deliver a sleek, modern sans built from rounded-rectangle geometry, pairing friendly corners with a precise, engineered structure. The consistent oblique angle suggests an aim toward dynamism and emphasis while maintaining a restrained, versatile presence.
The uppercase forms lean toward streamlined, simplified constructions (e.g., the squarish C/G and the smooth, rounded Q tail), reinforcing the geometric theme. Lowercase joins and shoulders remain tidy and minimal, and the numerals echo the same superelliptical logic for a consistent typographic color.