Sans Other Rekan 15 is a bold, narrow, low contrast, upright, normal x-height font.
Keywords: posters, headlines, logotypes, game ui, packaging, techno, industrial, futuristic, arcade, mechanical, display impact, space saving, tech aesthetic, graphic voice, angular, squared, stencil-like, modular, compressed.
A condensed, geometric sans built from straight strokes and hard corners, with a distinctly modular, almost cut-out construction. Terminals are mostly flat and squared, counters are boxy, and curves are minimized or faceted into angular segments. Proportions vary noticeably by letter, creating a lively rhythm: some glyphs are tightly enclosed and rectangular while others open up with sharp diagonals. The lowercase is compact with simplified forms (notably single-storey shapes and squared bowls), and the figures follow the same rectilinear logic with tall, narrow silhouettes and crisp interior apertures.
Best suited for display applications where its angular construction and condensed footprint can read as a deliberate stylistic choice—headlines, posters, album/film titles, branding wordmarks, and game or tech UI accents. It can also work for short labels or packaging callouts where a crisp, mechanical feel is desired, but the strong personality makes it less ideal for long-form text.
The overall tone feels techno-industrial and game-like, evoking electronic interfaces, arcade graphics, and engineered signage. Its sharp geometry and irregular, handmade-meets-digital rhythm give it an edgy, utilitarian energy rather than a neutral editorial voice.
The design appears intended to deliver a compact, high-impact sans with a stylized, modular voice—prioritizing sharp geometry, space efficiency, and a futuristic/industrial character over conventional neutrality.
Distinctive details include boxed counters in letters like O and P, angular diagonals in K, V, W, and X, and a notably stylized Q with an internal diagonal stroke. Spacing appears intentionally tight and the squared apertures help preserve clarity at display sizes, while the quirky width differences add character in longer lines.