Sans Superellipse Omgaz 11 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Bronkoh' by Brink, 'Mercurial' by Grype, and 'Revx Neue' and 'Revx Neue Rounded' by OneSevenPointFive (names referenced only for comparison).
Keywords: ui text, app design, product branding, wayfinding, headlines, modern, technical, clean, structured, approachable, clarity, ui readiness, modern branding, geometric consistency, rounded corners, square-rounded, geometric, high legibility, crisp.
A geometric sans built from squared forms softened by generous corner rounding, producing superellipse-like bowls and counters. Strokes are even and sturdy with minimal contrast, and terminals stay blunt and controlled rather than tapered. Curves on letters like C, G, O, and Q read as rounded rectangles, while straight-sided glyphs (E, F, H, N) keep a rigid, grid-friendly rhythm. Lowercase forms are compact and tidy, with a single-storey a and g, a plain i/j with square dots, and a balanced, open e; overall spacing feels measured for clear word shapes.
This font fits interface typography, dashboards, signage systems, and product-led branding where clarity at a glance matters. It also works well for short headlines and labels that benefit from a clean, modern voice and consistent, rounded geometry.
The overall tone is contemporary and utilitarian, with a friendly edge created by the rounded corners. It suggests digital interfaces, product design, and engineered clarity rather than calligraphic warmth. The look feels confident, neutral, and slightly futuristic without becoming stylized or playful.
The design appears aimed at a highly legible, system-ready sans that feels contemporary and engineered, using rounded-rectangle geometry to balance precision with approachability. The consistent stroke and controlled curves suggest an intention to perform reliably across screens, layouts, and dense informational settings.
Round letters tend to have flatter vertical sides and squarer curves than a typical grotesk, giving the texture a distinctive “soft-rectilinear” color in text. Figures follow the same square-rounded logic, staying compact and robust for display and UI contexts.