Sans Other Roge 2 is a regular weight, wide, low contrast, upright, normal x-height font visually similar to 'Black Square' by Agny Hasya Studio and 'Bunken Tech Sans' by Buntype (names referenced only for comparison).
Keywords: display, headlines, posters, branding, signage, tech, industrial, digital, futuristic, utilitarian, futurism, systematic design, impact, tech branding, constructed geometry, square, angular, geometric, stencil-like, modular.
A boxy, modular sans built from straight strokes and crisp right angles, with occasional diagonal cuts used for joins and terminals. Counters are predominantly rectangular, and several letters take an outlined or “frame” construction (notably in round forms like O/Q and some numerals), creating a segmented, engineered look. Stroke endings are blunt and uniform, spacing feels deliberate and mechanical, and the overall rhythm reads as grid-aligned with tight, squared-off apertures.
Best suited to display sizes where its squared counters and segmented construction remain clear. It works well for headlines, logos, packaging, posters, UI titling, and environmental or wayfinding-style graphics that benefit from a technical, engineered voice. For dense body text, the rigid geometry and tight apertures may feel heavy and should be tested at target sizes.
The design conveys a techno, industrial tone—clean, controlled, and system-like—suggesting interfaces, machinery labels, or futuristic environments. Its angular geometry and framed counters give it a slightly retro-digital flavor, reminiscent of early computer or arcade aesthetics without becoming purely pixel-based.
The font appears intended as a stylized, geometry-forward sans that prioritizes a constructed, grid-based aesthetic over conventional text neutrality. Its combination of blocky outlines and sharp joints suggests a deliberate aim toward tech-centric branding and attention-grabbing titles.
Distinctive forms include a squared, framed O/0, an angular Q with a small diagonal tail, and numerals that mix filled and outlined constructions. Uppercase and lowercase share the same architectural logic, with the lowercase remaining relatively rigid and geometric rather than calligraphic, which reinforces the font’s technical personality.