Inline Hydo 2 is a regular weight, normal width, low contrast, upright, normal x-height font.
Keywords: posters, logotypes, headlines, branding, packaging, deco, geometric, futuristic, techy, architectural, decorative, engraved look, retro futurism, geometric clarity, display impact, octagonal, monolinear, inline cut, chiseled, angular.
A geometric display face built from straight stems and sharply chamfered corners, with many bowls and curves resolved into octagonal or faceted forms. Strokes are generally even and monolinear, and most glyphs feature a consistent interior carve—an inline channel that reads like a cut through the black shape, often running vertically in stems and occasionally turning at joints. The capitals are tall and crisp with clean terminals; the lowercase follows the same angular logic with simplified bowls and a compact, orderly rhythm. Numerals echo the same faceting and cut-in detailing, keeping the set visually uniform and strongly constructed.
Best used for headlines, posters, titling, and logo or wordmark work where the carved inline effect can remain prominent. It also suits packaging, event graphics, and tech or retro-themed branding that benefits from a geometric, constructed look.
The faceted geometry and carved inline detailing evoke an Art Deco and machine-age sensibility with a contemporary, technical edge. It feels engineered and ornamental at the same time—sleek, slightly retro-futurist, and well suited to designs that want a crisp, constructed voice rather than warmth or softness.
The design appears intended as a decorative geometric sans that merges bold silhouette shapes with an engraved inline treatment. Its consistent chamfers and repeated internal cut motif suggest a focus on creating a cohesive, emblematic texture across both uppercase and lowercase for impactful display typography.
The inline cut creates a distinctive shimmer in longer strings and can emphasize verticals, giving text a striped, architectural texture. Because the design relies on sharp angles and interior negative channels, it reads most confidently at display sizes where the cut detail has room to breathe.