Inline Miru 1 is a regular weight, wide, low contrast, upright, normal x-height font.
Keywords: headlines, posters, branding, signage, packaging, art deco, retro, glamorous, theatrical, luxe, decoration, vintage tone, headline impact, engraved look, signage style, inline, display, decorative, monoline, rounded.
A decorative inline sans with monoline strokes and a crisp, engraved effect created by parallel interior cuts running through stems, bowls, and diagonals. Letterforms are predominantly geometric with rounded corners and smooth curves, paired with straight-sided construction in key shapes (notably the verticals and many diagonals). The inline treatment is applied consistently across uppercase, lowercase, and numerals, producing a layered, ribbon-like rhythm and occasional dark spots where strokes overlap. Spacing appears relatively open and the overall width is generous, giving the alphabet a stable, poster-friendly stance.
Best suited to headlines and short display settings where the inline detailing can remain clear: posters, event titles, brand marks, menus, packaging, and signage. It also works for pull quotes or section headings when paired with a simpler text face, and benefits from moderate-to-large sizes and comfortable tracking.
The font reads as vintage display typography with a polished, nightlife-ready tone—suggesting marquee lettering, cocktail-era elegance, and stylized signage. Its carved lines evoke metalwork or neon-tube detailing, adding a sense of spectacle and refinement rather than neutrality.
The design appears intended to deliver a classic decorative inline look with strong geometric structure and consistent internal striping, prioritizing visual flair and period character over plain readability in long text. Its proportions and repeatable stroke logic suggest a system built for impactful display typography across a range of letters and numerals.
The inline channels sometimes converge at joins and tight counters, creating distinctive flickers of density that become part of the style at larger sizes. The overall construction stays clean and orderly, with minimal contrast and consistent terminals that keep the decorative effect from feeling overly calligraphic.