Sans Normal Rakaf 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Harman' by Ahmet Altun; 'Hanley Pro' by District 62 Studio; 'Andes Condensed', 'Grota Sans', and 'Grota Sans Rounded' by Latinotype; and 'Signal' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, packaging, logos, branding, friendly, playful, chunky, approachable, retro, impact, approachability, display, simplicity, warmth, rounded, soft terminals, compact, sturdy, bubbly.
A heavy, rounded sans with soft, squarish curves and consistently blunted terminals. Strokes are thick and even, with minimal contrast, and the counters tend to be compact—especially in letters like a, e, and s—giving the face a dense, punchy color on the page. The proportions read slightly condensed in many capitals, while bowls and shoulders stay broad and smooth, producing a strong, cohesive rhythm in both uppercase and lowercase. Numerals match the same stout construction with rounded corners and simplified geometry.
This font is well suited to headlines, posters, and short, high-impact statements where strong weight and rounded forms help attract attention. It can work effectively for branding and logo wordmarks that aim for a friendly, upbeat presence, and it also fits packaging or product labeling that benefits from a sturdy, approachable tone.
The overall tone is warm and informal, with a buoyant, cartoon-adjacent friendliness. Its chunky shapes and tight counters create an energetic, attention-getting voice that feels more expressive than neutral while remaining easy to parse at display sizes.
The likely intention is a bold, rounded display sans that maximizes presence while keeping a soft, inviting feel. Its compact counters and blunted terminals suggest it is designed to hold up in large sizes and reproduce cleanly in simple, high-contrast applications.
The design favors smooth joins and rounded corners over sharp vertices, which reduces harshness and helps the heavy weight feel welcoming. Because the interior spaces are relatively small, the font’s texture becomes especially bold and compact in longer lines of text.