Sans Superellipse Ukrif 6 is a very bold, very narrow, monoline, upright, tall x-height font visually similar to 'Kiosk' by Fenotype; 'Gemsbuck Pro' by Studio Fat Cat; 'Angmar', 'Delonie', and 'Headpen' by Umka Type; and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: posters, headlines, sports branding, packaging, signage, industrial, athletic, poster-ready, compact, retro, space saving, high impact, signage clarity, branding, condensed, squared, rounded corners, flat-ended, high contrast (shape).
A condensed, heavy sans with a squared, rounded-rectangle construction throughout. Strokes are consistently thick and largely monoline, with flat terminals and tight interior counters that create a dense, vertical rhythm. Curves resolve into softened corners rather than circular bowls, and round letters like O/Q read as rounded rectangles with small apertures. The overall texture is compact and punchy, with short crossbars, narrow joins, and minimal detailing that keeps forms rigid and uniform at display sizes.
Best suited to short, high-impact settings such as posters, titles, event graphics, team or athletic identities, and bold packaging. It can also work for wayfinding or labels where a compact, space-efficient word shape is useful, though the tight counters suggest avoiding very small sizes or overly long passages.
The tone is assertive and utilitarian, leaning toward industrial signage and sporty headline styling. Its tight proportions and blocky softness feel both retro and functional, projecting strength without becoming aggressive or sharp.
The design appears intended to deliver maximum impact in minimal horizontal space, using a rounded-rectangle skeleton to keep forms sturdy, uniform, and highly graphic. It prioritizes bold, condensed readability and a strong silhouette for branding and display typography.
The superelliptical rounding gives the face a distinctive "machined" smoothness, while the narrow set and small counters amplify ink density in longer lines. Numerals and capitals match the same squared geometry, helping mixed text hold a consistent, compressed color.