Sans Superellipse Ukbij 11 is a very bold, very narrow, monoline, upright, tall x-height font visually similar to 'Kufica' by Artegra, 'Horizon' by Bitstream, 'Aureola' by OneSevenPointFive, 'Fresno' by Parkinson, 'Goodland' by Swell Type, 'TD Pobeda' by Tektov Dmitry Type, 'Optoisolator' by Typodermic, and 'Competition' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, logotypes, industrial, retro, techno, authoritative, compressed, space saving, high impact, systematic geometry, brand presence, sign-like clarity, squared, rounded corners, condensed, geometric, blocky.
A condensed, heavy sans with rounded-rectangle construction throughout. Strokes stay largely even in thickness, with squared terminals softened by generous corner radii, creating a superelliptical, modular feel. Counters tend to be narrow and rectangular, and many forms rely on straight verticals with minimal curvature; bowls and shoulders are simplified into boxy arcs. The overall rhythm is tight and vertical, with compact apertures and a sturdy, sign-like presence.
Best suited to headlines, posters, signage, and branding where compact width and bold presence are beneficial. It works well for labels, packaging, sports or industrial themes, and tech-forward display settings where a condensed, modular texture helps fit more characters per line while staying highly legible at larger sizes.
The font reads as industrial and utilitarian, with a retro display flavor reminiscent of stencil-cut or arcade-era lettering. Its compact width and rigid geometry project strength and efficiency, while the rounded corners keep the tone approachable rather than harsh. Overall it feels mechanical, confident, and built for high-impact messaging.
The design appears intended to deliver maximum impact in minimal horizontal space, using a consistent rounded-rect geometry to create a cohesive, modern-industrial voice. Its simplified construction suggests an emphasis on reproducibility and strong silhouettes for display applications.
Letterforms show a preference for squared geometry even in traditionally curved characters, producing distinctive silhouettes in rounded letters and numerals. The design’s narrow apertures and dense counters increase punch at larger sizes but can create a darker texture in long text. Diacritics and punctuation are not shown; the sample emphasizes a strong headline color and consistent vertical alignment.