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Free for Commercial Use

Serif Flared Pyve 11 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Roadstore' by Almarkha Type, 'Brothers' by Emigre, and 'Cracked Concrete' by Putracetol (names referenced only for comparison).

Keywords: posters, headlines, signage, branding, packaging, vintage, western, circus, poster, folksy, attention, nostalgia, display clarity, personality, flared serifs, bracketed serifs, bulb terminals, ball terminals, teardrop terminals.


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A heavy display serif with pronounced flaring at the stroke ends, creating wedge-like, bracketed serifs and strong thick–thin contrast. The letters have broad, sturdy proportions and a slightly condensed, compact rhythm in text, with rounded bowls and soft joins that keep the weight from feeling rigid. Terminals frequently resolve into bulb or teardrop shapes (notably in lowercase like a, c, e, and in punctuation-like dots), while horizontals and cross strokes read as crisp and emphatic. Numerals are bold and headline-oriented, with simplified forms and pronounced beak-like or flared endings that match the capitals.

This font is best suited to display work such as posters, headlines, event promotions, and storefront-style signage where its flared serifs and strong contrast can be appreciated at size. It can also support branding and packaging that aims for a vintage or handcrafted feel, especially when used in short phrases, titles, and logo lockups.

The overall tone is theatrical and nostalgic, evoking old posters, circus bills, and Western-era signage. Its strong contrast and flared endings feel confident and attention-grabbing, with a touch of playful eccentricity in the rounded terminals and chunky silhouettes.

The design appears intended to deliver a bold, period-evocative serif voice by combining high-contrast strokes with flared, decorative endings. Its forms prioritize impact and character over neutrality, targeting situations where a retro, showbill-like presence is desirable.

In paragraph-like settings the dark color is dominant, and the distinctive terminals can create a lively texture that favors short lines over continuous reading. Uppercase forms feel particularly authoritative and sign-like, while the lowercase introduces more character through ball terminals and softer curves.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸