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Sans Normal Aknuv 6 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Mustica Pro' by Alifinart Studio, 'Noir' by Mindburger Studio, 'Madani' and 'Madani Arabic' by NamelaType, 'Gilroy' by Radomir Tinkov, and 'Causten' and 'Causten Round' by Trustha (names referenced only for comparison).

Keywords: headlines, branding, posters, signage, ui labels, modern, friendly, clean, confident, geometric, clarity, impact, versatility, modernity, rounded, high-contrast counters, generous apertures, compact spacing, crisp terminals.


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This typeface presents as a sturdy, geometric sans with even stroke weight and rounded, circular construction throughout. Curves are smooth and full, with open, generous counters in letters like O, Q, and e, and a clear, uncluttered internal rhythm in the bowls of B, P, and R. Terminals are clean and mostly horizontal/vertical, giving the design a crisp, engineered feel, while the overall proportions stay balanced and readable in both uppercase and lowercase. Numerals are similarly solid and geometric, with clear silhouettes that hold their shape at display sizes.

It suits bold headlines, brand marks, packaging, and poster typography where clean geometry and strong presence are important. Its simple forms and open counters also make it a good candidate for UI labels and wayfinding-style signage, especially at medium to large sizes.

The overall tone is modern and approachable, pairing a friendly roundness with a confident, no-nonsense presence. It feels contemporary and functional rather than decorative, with a straightforward voice that works well when clarity and impact are both desired.

The likely intention is a versatile geometric sans that reads clearly and confidently, using circular construction and consistent stroke weight to deliver an approachable modern look. It appears designed to balance friendliness with authority, working across both editorial-style display lines and practical short-form text.

The design leans on circular geometry and consistent stroke behavior, producing strong word shapes in running text and punchy single-letter forms in isolation. Uppercase forms feel stable and signage-like, while the lowercase maintains a clear, simple structure that emphasizes legibility over quirks.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸