Sans Faceted Anle 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Glow Gothic BF' by Bomparte's Fonts, 'Sebino Soft' by Nine Font, 'Betm Rounded' by Typesketchbook, and 'Aristotelica Pro' by Zetafonts (names referenced only for comparison).
Keywords: posters, headlines, logos, packaging, merchandise, playful, chunky, retro, rugged, friendly, display impact, distinctive branding, crafted feel, retro tone, rugged utility, chamfered, octagonal, blocky, stencil-like, cartoonish.
A heavy, geometric sans with faceted, chamfered contours that replace most curves with short planar segments. Strokes are uniformly thick and terminals are blunt, producing an octagonal, cut-out silhouette across rounds like O/C/G and bowls in B/P/R. Counters are compact and sometimes angular, with a generally tight interior spacing that reinforces a dense, poster-like color. Proportions vary by glyph, and the overall rhythm feels intentionally irregular and hand-cut in character despite the consistent facet system.
Best suited to display settings where impact and character matter: posters, headlines, logo wordmarks, packaging, and merchandise graphics. It can also work for short labels or UI callouts at larger sizes, where the faceted silhouettes remain clear and the dense weight provides strong contrast against light backgrounds.
The letterforms project a bold, playful toughness—part comic signage, part industrial cutout. The sharp facets add an energetic, slightly abrasive edge, while the rounded-rectangle massing keeps the tone approachable rather than aggressive. Overall it reads as retro and attention-grabbing, with a handmade, crafted vibe.
The design appears intended to deliver maximum visual punch with a distinctive faceted signature—evoking cut-metal, carved, or stamped lettering while staying within a clean sans structure. Its consistent chamfers and compact counters suggest a goal of creating a recognizable, rugged display voice that holds up in bold branding applications.
The faceting is most evident on curved letters and numerals, where diagonal corner cuts create a distinctive polygonal outline. Uppercase and lowercase share the same chunky construction, and punctuation (as seen in the sample) follows the same heavy, simplified logic for strong texture in continuous text.