Sans Superellipse Otrif 4 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: ui labels, tech branding, product design, signage, posters, techno, industrial, futuristic, clean, utilitarian, systematic, modernize, signal tech, maximize clarity, brand neutrality, rounded corners, squared forms, geometric, modular, closed apertures.
A geometric sans with a pronounced rounded-rectangle construction: curves are treated as softened corners on otherwise squared outlines, producing superelliptical bowls and counters. Strokes are monoline and even, with compact, mostly closed apertures and squared terminals throughout. Uppercase forms read tall and structured, while lowercase stays simple and sturdy with single-storey shapes where visible (notably the a and g), and a boxy, straight-armed feel in letters like n, m, and u. Numerals follow the same rounded-rectangular logic, with squared-off curves and consistent corner radii that maintain a tight, engineered rhythm in text.
Well suited to UI labels, dashboards, and product or hardware branding where a clean, technical voice is needed. It also works effectively in headlines, posters, and wayfinding contexts that benefit from high-contrast silhouettes and a structured, contemporary aesthetic.
The overall tone is modern and technical, with a measured, engineered personality that suggests interfaces, devices, and signage. The softened corners keep it approachable, but the squared geometry and tight apertures push it toward a disciplined, industrial feel rather than playful roundness.
The font appears designed to translate a rounded-rectangle, superelliptical geometry into a practical sans for modern applications, prioritizing consistency, clarity, and a cohesive system of shapes. Its closed apertures and squared curves suggest an intention to feel engineered and contemporary, especially in display and interface-forward settings.
The design emphasizes consistent corner radii and rectangular counters (especially in letters like O/Q and numerals), creating a modular, system-like coherence. Diagonals (V/W/X/Y) retain the same monoline weight while adopting slightly more dynamic angles, helping headlines feel energetic without breaking the rigid construction.