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Free for Commercial Use

Sans Faceted Abdas 5 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Noteworthy' by Gerald Gallo, 'Borough Hall JNL' by Jeff Levine, 'Stallman Round' by Par Défaut, and 'Alma Mater' and 'Oscar Bravo' by Studio K (names referenced only for comparison).

Keywords: headlines, posters, branding, sports, signage, industrial, athletic, techy, authoritative, retro, impact, strength, modernism, machined look, display clarity, angular, chamfered, blocky, condensed, octagonal.


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This typeface is built from heavy, straight-sided strokes with crisp chamfered corners that replace curves with planar facets. Counters and apertures are squarish and tightly controlled, creating a compact, high-ink silhouette with little internal whitespace. The drawing leans on verticals and horizontals with occasional diagonal cuts, producing an octagonal rhythm across letters and figures. Terminals are blunt and consistent, and the overall construction reads as modular and sturdy rather than calligraphic or organic.

Best suited to headlines, posters, and branding where a bold, geometric voice is needed. It also works well for sports identities, event graphics, labels, and short navigational or industrial-style signage, especially in all-caps or number-heavy treatments.

The faceted geometry and dense black mass give the font a tough, engineered tone that feels industrial and athletic. Its sharp cuts and compressed stance suggest speed, strength, and a no-nonsense attitude, with a subtle retro arcade/scoreboard flavor when set in all caps or numbers.

The design appears intended to translate a faceted, machined aesthetic into a compact display sans, prioritizing impact and geometric consistency over soft curves. Its systematic chamfers and rigid stroke behavior aim to deliver a strong, modern-block texture that remains recognizable in brief, high-contrast applications.

The tight counters and angular joins make the face most comfortable at display sizes, where the faceting and interior shapes stay legible. Numerals follow the same octagonal logic, reinforcing a uniform, sign-like texture across mixed alphanumeric settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸