Font Hero

Free for Commercial Use

Sans Faceted Asbo 8 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Racon' by Ahmet Altun, 'Cybersport' by Anton Kokoshka, 'Ft Thyson' by Fateh.Lab, and 'Evanston Tavern' by Kimmy Design (names referenced only for comparison).

Keywords: headlines, posters, sports branding, gaming ui, logos, sporty, industrial, arcade, tactical, assertive, impact, utility, strength, retro tech, display clarity, chamfered, angular, blocky, stencil-like, compact.


Free for commercial use
Customize the font name

This typeface is built from chunky, geometric forms with consistent stroke weight and prominent chamfered corners that replace most curves with planar facets. Bowls and counters tend toward squarish, octagonal shapes (notably in O/0 and D), and diagonals are used sparingly but decisively in letters like A, K, V, W, X, and Y. The lowercase follows the same hard-edged construction with simplified, modular shapes and tight interior spaces, producing a dense, high-impact texture. Figures are similarly faceted and wide-shouldered, with open angles and flattened terminals that keep the overall rhythm rigid and mechanical.

Well suited to high-impact headlines, posters, and branding where a tough, geometric voice is desirable. It also fits sports identities, esports/gaming interfaces, packaging callouts, and logo work that benefits from crisp, faceted letterforms. For extended reading or small sizes, more generous tracking and leading would help maintain clarity.

The overall tone is bold and no-nonsense, reading as athletic and utilitarian with a distinctly game-like, arcade energy. Its sharp corners and armored silhouettes suggest strength, control, and an engineered aesthetic rather than warmth or softness.

The design appears intended to translate the look of heavy, engineered lettering into a clean, consistent digital font: hard corners, compact counters, and simplified geometry that stays forceful and legible in display contexts.

Because counters are relatively small and corners are aggressively cut, the face looks best when given breathing room; in the sample text it forms a dark, uniform color with clear, sign-like word shapes. The faceting creates strong letter identity at display sizes while emphasizing a structured, modular rhythm across lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸