Sans Superellipse Birah 9 is a very light, normal width, low contrast, italic, short x-height font.
Keywords: ui labels, headlines, branding, posters, captions, airy, technical, minimal, futuristic, calm, geometric clarity, modern ui, lightweight elegance, contemporary branding, monoline, rounded, superelliptic, open counters, geometric.
A slender, monoline italic with rounded-rectangle construction and softly squared curves. The forms lean consistently with a smooth, continuous stroke and minimal modulation, producing an even, quiet texture. Corners are generously rounded and many bowls read as superellipses, while terminals tend toward clean cuts rather than flares. Proportions are compact in the lowercase with long ascenders and descenders, and spacing feels open enough to keep the very thin strokes from crowding.
Best suited to display and short-text settings where the thin strokes and geometric rounding can read crisply: interface labels, product branding, editorial headlines, and airy poster typography. It can also work for captions and secondary text when set with ample size and spacing, especially in clean, minimal layouts.
The overall tone is airy and modern, with a technical, schematic feel that comes from the thin line weight and rounded-rect geometry. Its gentle slant adds motion without becoming expressive, keeping the voice understated and contemporary. The result suggests a lightweight, futuristic sensibility suited to clean interfaces and refined branding.
The design appears intended to merge a minimalist monoline build with superelliptic geometry, creating a distinctive rounded-rect voice that stays neutral and efficient. Its consistent slant and simplified detailing suggest a focus on contemporary communication—clear, light, and technologically oriented—rather than warmth or tradition.
Round characters like O/0 and C/G emphasize a squarish, soft-cornered silhouette, giving the design a distinctive geometric fingerprint. Numerals follow the same superelliptic logic and appear simple and legible, matching the restrained punctuation and unobtrusive joins. The italic angle is consistent across caps, lowercase, and figures, helping text hold a cohesive rhythm in longer settings.