Sans Superellipse Birah 10 is a very light, normal width, low contrast, italic, normal x-height font.
Keywords: ui labels, tech branding, headlines, posters, motion graphics, futuristic, technical, sleek, aerodynamic, minimal, sci‑fi ui, modernity, speed, systemic cohesion, precision, monoline, rounded, superelliptic, oblique, streamlined.
This typeface is a monoline, oblique sans with rounded-rectangle (superellipse-like) construction in the bowls and counters. Curves are soft and squared-off at the extremes, while many joins and terminals taper into crisp, angled strokes that emphasize forward motion. Forms are generally open and airy, with generous interior space and a light, wireframe-like texture; crossbars and horizontals are kept thin and restrained, and punctuation-like cuts and notches appear in several shapes as stylistic detailing. Overall rhythm is clean and consistent, balancing rounded geometry with sharp, slanted endings.
It’s well suited to interface labels, product UI mockups, dashboards, and technology branding where a sleek, forward-leaning voice is desirable. The style also works for display roles—headlines, posters, and motion/graphics overlays—where its geometric construction and distinctive terminals can be appreciated at larger sizes.
The font conveys a futuristic, engineered tone—more like instrument labeling and sci‑fi interface typography than editorial text. Its slanted stance and streamlined terminals create a sense of speed and precision, while the rounded geometry keeps it approachable rather than aggressive.
The design intention appears to be a contemporary, sci‑fi-leaning sans that blends superelliptic roundness with italicized momentum. By keeping strokes extremely light and adding precise angled terminals, it aims to feel technical and modern while maintaining a smooth, unified geometry across the set.
The design leans on geometric repetition: rounded corners, pill-shaped counters, and flat-ish top/bottom arcs recur across both cases and figures, creating a cohesive system look. The very light stroke makes it feel delicate; spacing and counters do much of the legibility work, especially in the sample text where the slant and thin horizontals can visually soften letter differentiation at smaller sizes.