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Free for Commercial Use

Sans Normal Mygus 6 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Mayberry' by Ascender, 'Siro' by Dharma Type, 'Galvani' by Hoftype, 'Telder HT Pro' by Huerta Tipográfica, 'Modet' by Plau, 'Agent Sans' by Positype, 'Akwe Pro' by ROHH, and 'Merlo Neue' by Typoforge Studio (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, kids media, playful, friendly, bouncy, casual, retro, display impact, approachability, playfulness, personality, rounded, soft, chunky, quirky, compact counters.


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This typeface presents chunky, rounded sans forms with a slightly elastic rhythm: many strokes and terminals feel subtly tilted or uneven, giving the outlines a hand-cut, buoyant character despite the overall upright stance. Curves are broad and full, counters are relatively compact, and joins tend to be soft rather than sharply engineered. Uppercase letters read solid and blocky with simplified geometry, while the lowercase introduces more idiosyncratic shapes (notably the single-storey a, the bulbous g, and a curved, hook-like descender on j). Numerals follow the same heavy, rounded construction, with large bowls and sturdy verticals that prioritize impact over fine detail.

Best suited for bold headlines, posters, and short bursts of copy where its lively shapes can be appreciated at larger sizes. It can work well for playful branding, packaging, event promotions, and kid-friendly or entertainment-focused designs that benefit from a friendly, high-impact sans voice.

The overall tone is cheerful and informal, with a slightly mischievous wobble that feels approachable rather than strict. Its weight and soft geometry convey warmth and confidence, suggesting a lively, upbeat voice suited to attention-grabbing display settings.

The design appears intended to deliver maximum visual punch while staying approachable, combining simplified sans construction with a deliberately bouncy, imperfect edge. It aims for personality and memorability in display typography rather than neutral, text-first restraint.

Spacing in the sample text reads dense and energetic, with the heavy forms creating strong texture in paragraphs. The irregularities in stroke endings and the slightly jaunty silhouettes help break up the mass of black, keeping the look animated at large sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸