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Free for Commercial Use

Sans Superellipse Ifma 4 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Carnac', 'Carnas', 'Orgon', and 'Orgon Plan' by Hoftype; 'Famiar' by Mans Greback; 'Roihu' by Melvastype; 'Gloriola' by Suitcase Type Foundry; and 'Norpeth' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, stickers, playful, friendly, punchy, retro, cartoonish, attention grabbing, approachability, display impact, retro flavor, soft corners, bulbous, blocky, compact, high impact.


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A heavy, soft-cornered sans with rounded-rectangle (superellipse-like) construction and broad, even strokes. Curves are inflated and smooth, with squared terminals that are gently radiused rather than sharp, creating a chunky, cushiony silhouette. Counters are relatively tight and the overall rhythm is compact, while widths vary noticeably by character, giving the alphabet a lively, slightly uneven texture. Numerals and capitals maintain the same stout, rounded geometry, producing strong color and a dense typographic footprint in text.

Best suited for headlines, display copy, and branding where immediate impact is desired—posters, packaging, labels, and logo wordmarks. It also works well for playful UI accents or social graphics, but is less ideal for long-form reading due to its dense color and tight counters at smaller sizes.

The tone is upbeat and approachable, leaning toward a bold, comic and retro sign-painting feel rather than a neutral corporate voice. Its rounded massing and bouncy proportions read as friendly and energetic, designed to grab attention without feeling harsh.

The likely intention is a high-impact display sans built from soft, rounded geometry to balance strength with friendliness. It appears aimed at creating bold typographic statements with a cheerful, approachable character and a distinctive, chunky presence.

The design emphasizes silhouette and fill over fine detail: interior spaces are small, joins are thick, and diagonals (like in K, V, W, X) keep a blunt, sturdy presence. In paragraphs, the dense weight and compact counters create a strong, poster-like texture that favors short bursts of copy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸