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Free for Commercial Use

Sans Faceted Buje 13 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection, 'Acumin' by Adobe, 'Aggregate' by Darren Scott Collection, 'Akkordeon' by Emtype Foundry, 'Muller Next' by Fontfabric, 'Sans Beam' by Stawix, and 'Herd' by Wahyu and Sani Co. (names referenced only for comparison).

Keywords: posters, headlines, sports, branding, signage, industrial, athletic, poster, tough, military, high impact, rugged tone, geometric facets, signage clarity, display emphasis, faceted, angular, blocky, chamfered, stencil-like.


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A heavy, all-caps-forward display sans built from straight strokes and clipped corners. Curves are consistently replaced by planar facets, producing octagonal bowls and sharp notches in letters like C, G, O, Q, and S. The forms are compact and geometric with large, squared counters and minimal stroke modulation, giving a dense, high-impact texture. Terminals are typically flat and abrupt, and the overall rhythm is driven by strong verticals and chamfered diagonals rather than rounded joins.

Best suited to display settings such as posters, event titles, team or athletic graphics, bold packaging callouts, and impactful branding. It can also work for short, high-contrast signage or labels where a rugged, geometric voice is desired; for longer reading, it benefits from generous tracking and ample size.

The faceted construction and solid massing give the type a tough, utilitarian tone, suggesting machinery, sports markings, and institutional signage. Its angular cuts read as assertive and no-nonsense, with a distinctly “stamped” or “cut-metal” character that feels bold and emphatic in headlines.

The design appears intended to translate a geometric sans into a cut-corner, faceted aesthetic that replaces curves with hard planes. The goal is maximum impact and a constructed, industrial texture that holds together as bold shapes in large-scale typography.

Lowercase follows the same angular logic with simplified, blocky shapes and short ascenders/descenders, keeping color and density consistent across mixed-case text. Numerals and punctuation match the squared, engineered feel, and the face retains clarity best at larger sizes where the internal notches and facets remain legible.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸