Sans Other Esma 7 is a very bold, wide, high contrast, upright, normal x-height font.
Keywords: headlines, logos, posters, gaming, album art, tech, industrial, futuristic, aggressive, retro arcade, display impact, distinctive branding, tech aesthetic, signage look, angular, geometric, stencil-like, blocky, notched.
A sharply geometric sans with heavy, squared-off construction and frequent diagonal cuts that carve out counters and terminals. Strokes are mostly rectilinear with abrupt corners, producing a segmented, almost modular rhythm across words. Many letters incorporate triangular notches and asymmetric internal gaps, giving the forms a cut-metal or stencil-adjacent feel while keeping the overall silhouette compact and block-driven. The texture is dense and graphic, with distinctive interruptions in bowls and joins that read as intentional detailing rather than rounding or calligraphic modulation.
This font performs best in short, high-contrast applications such as headlines, logos, posters, gaming/UI titles, and entertainment branding where its angular detailing can be appreciated. It’s particularly effective for tech, industrial, and futuristic themes, and for packaging or event graphics that benefit from a bold, mechanical voice.
The overall tone is tech-forward and assertive, evoking industrial signage, sci‑fi interfaces, and arcade-era display lettering. Its sharp cuts and mechanical spacing create a hardened, engineered personality that feels energetic and slightly confrontational, suited to high-impact branding moments.
The design appears intended as a stylized display sans that amplifies impact through blocky geometry and signature diagonal cut-ins. Its construction prioritizes a distinctive, machine-made look and a strong graphic texture over neutral readability, aiming to deliver immediate recognition in branding and titling contexts.
The sample text shows strong word-shape presence at larger sizes, where the diagonal incisions and split counters become a defining motif. At smaller sizes, those internal cuts and narrow apertures can visually fill in, so the design is best treated as a display face rather than for long reading.