Sans Other Lobak 7 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Oso Sans' by Adobe, 'FF Zwo' and 'FF Zwo Correspondence' by FontFont, 'FS Joey' and 'FS Joey Paneuropean' by Fontsmith, and 'Graviola' and 'Graviola Soft' by Harbor Type (names referenced only for comparison).
Keywords: posters, packaging, branding, headlines, labels, hand-cut, playful, quirky, rustic, crafty, handmade feel, display impact, casual voice, signage look, irregular edges, blocky, angular, wedge terminals, organic.
A chunky, all-caps-forward sans with irregular, hand-shaped outlines and noticeably uneven stroke edges. Forms are built from broad, slightly angular strokes with frequent wedge-like terminals and subtly faceted curves (especially in round letters), giving counters a carved, imperfect geometry. Spacing and widths vary from glyph to glyph, producing a lively rhythm; the lowercase is compact and sturdy, with single-story a and g, short extenders, and simple, blunt joins. Numerals match the same cutout construction, with open, simplified shapes and consistent heft.
Best suited for display applications where texture and personality are desirable: posters, packaging, café or market-style branding, labels, and punchy headlines. It can also work for short UI or social graphics when a handmade, non-corporate tone is needed, but is less ideal for dense body copy.
The overall tone is informal and handmade, evoking cut-paper signage, linocut lettering, or brush-and-marker display type cleaned into solid silhouettes. Its deliberate roughness reads friendly and approachable rather than technical, with a slightly mischievous, DIY character that adds personality to short lines of text.
The design appears intended to mimic hand-cut or roughly drawn lettering while keeping a solid, high-impact silhouette. By embracing uneven edges, variable glyph widths, and simplified construction, it aims to deliver a bold, approachable voice that feels crafted rather than engineered.
At larger sizes the irregular contours and faceted bowls become a key feature, while in longer passages the uneven rhythm can feel busy. The capitals are especially dominant and attention-grabbing, making the font feel more like a display face than a neutral workhorse.