Sans Superellipse Ommun 7 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Conthey' by ROHH, 'Godiva' by Suby Studio, and 'Rotundus' and 'Rotundus Rounded' by dayflash (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, logos, retro, industrial, technical, compact, friendly, space-saving, impact, systematic, modernize, rounded, condensed, geometric, square-rounded, high-contrast-free.
A condensed, monoline sans built from rounded-rectangle geometry. Strokes are consistently thick with softened corners and flat, squared terminals, giving the letters a compact, engineered rhythm. Counters tend to be tall and narrow, with superellipse-like bowls and smooth joins that keep curves controlled rather than fully circular. The lowercase stays simple and sturdy, with single-storey forms and minimal modulation; figures follow the same squarish-rounded logic for a cohesive, blocky texture in text.
Best suited to display settings where space is tight and impact is needed—headlines, posters, branding marks, and packaging panels. The condensed proportions and heavy, even strokes also make it effective for signage and labels where quick recognition and a consistent, engineered look are priorities.
The overall tone feels retro-industrial and slightly futuristic: sturdy, utilitarian shapes with friendly rounding that avoids harshness. Its compact width and uniform weight read as assertive and practical, suggesting signage, equipment labels, or modern display systems rather than delicate editorial typography.
The design appears intended to deliver a compact, high-impact sans with rounded-rectangle construction, balancing mechanical structure with approachable softness. It emphasizes consistency across letters and numbers to create a unified, modular feel that holds up in large sizes and bold typographic statements.
Round letters like O and C lean more toward rounded-square forms than perfect circles, while verticals dominate and horizontals stay short, reinforcing a tall, compressed silhouette. The Q has a distinctive vertical tail element, and the w is built with smooth, rounded troughs, both contributing to a recognizable, system-like character.