Sans Other Noje 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Bradbury Five' by Device, 'Knicknack' by Great Scott, and 'Otter' by Hemphill Type (names referenced only for comparison).
Keywords: posters, headlines, packaging, kids, stickers, playful, cartoon, friendly, quirky, bold, playfulness, approachability, impact, handmade, chunky, bouncy, rounded, irregular, soft.
A chunky, heavy sans with softly rounded corners and deliberately irregular contours. Strokes are broad and consistent, but edges wobble and terminals vary, creating an organic, hand-cut feel rather than geometric precision. Counters are generally open and simplified, and many forms show slight tilt, asymmetry, and bouncing baselines that add motion. The overall rhythm is lumpy and buoyant, with sturdy silhouettes that hold together at display sizes.
Best suited to display applications where personality and impact matter: posters, playful branding, product packaging, event flyers, stickers, and social graphics. It can work well for children’s themes, casual food or entertainment brands, and short headline copy where the bouncy texture stays readable. For longer paragraphs, the heavy weight and irregular rhythm may become visually tiring, so it’s strongest in short bursts.
The tone is lighthearted and comedic, leaning into a youthful, cartoon-like voice. Its uneven, wiggly construction reads approachable and informal, suggesting playful messaging rather than corporate neutrality. The texture feels hand-made and lively, giving headlines a sense of spontaneity and charm.
The design appears intended to deliver a bold, friendly display voice with a hand-made, slightly wobbly finish. It favors expressive silhouettes and a lively rhythm over typographic strictness, aiming to feel fun, approachable, and attention-grabbing in large sizes.
The digit set follows the same blobby, irregular construction, keeping a cohesive texture across letters and numbers. Round shapes (like O/0) are especially bold and simplified, and diagonals (like V/W/X) appear thick and punchy, reinforcing a strong poster-friendly presence. Spacing looks intentionally loose and buoyant, prioritizing personality over strict typographic regularity.