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Serif Normal Migis 2 is a bold, normal width, very high contrast, upright, normal x-height font visually similar to 'Moisette' by Nasir Udin, 'Orbi' by ParaType, and 'Captione' by Zafara Studios (names referenced only for comparison).

Keywords: headlines, editorial, magazines, book covers, pull quotes, formal, classic, dramatic, authoritative, classic authority, editorial impact, print sophistication, display emphasis, bracketed, wedge serifs, sharp terminals, vertical stress, sculpted.


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This typeface is a sharply modeled serif with crisp, bracketed wedge serifs and pronounced stroke modulation. The forms show vertical stress and decisive hairline transitions, with clean, pointed terminals on letters like A, V, W, and Y. Uppercase proportions feel stately and slightly condensed in their internal space, while lowercase counters remain open enough to keep the texture readable. Curves are taut and controlled (notably in C, S, and e), and the numerals carry the same engraved, editorial character with clear, sturdy stems and refined thin strokes.

It performs best in editorial contexts such as magazine headlines, section openers, and pull quotes, where its contrast and sharp serifs add sophistication and hierarchy. It can also suit book covers and formal branding applications that want a traditional, assertive serif voice, particularly at display and subhead sizes where the detailing is most effective.

The overall tone is confident and traditional, evoking an editorial, bookish seriousness with a touch of drama from the high contrast and sharp detailing. It reads as polished and authoritative rather than casual or playful, making it well suited to settings where a classic voice and strong typographic presence are desired.

The design appears intended to deliver a conventional serif voice with heightened refinement and emphasis, pairing classic proportions with crisp, high-contrast modeling for strong typographic authority. It prioritizes a polished reading texture and a commanding display presence suitable for curated, print-forward layouts.

Spacing and rhythm create a dense, print-like color in paragraphs, especially at larger sizes where the thin strokes and bracketing become prominent visual features. The design’s angular serifs and pointed joins give it a slightly incisive, engraved feel compared with softer oldstyle text faces.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸