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Sans Superellipse Ugdak 7 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Gernsheim' by Brenners Template; 'Muller Next' by Fontfabric; 'Antry Sans' by Mans Greback; and 'Amsi Pro', 'Amsi Pro AKS', and 'Sans Beam' by Stawix (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, sports, bold, sporty, retro, friendly, punchy, maximum impact, compact display, friendly strength, brand voice, blocky, rounded, compact, sturdy, high impact.


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A heavy, compact sans with rounded-rectangle construction and softly squared curves throughout. Strokes are thick and even, with minimal modulation and mostly closed apertures that keep counters tight in letters like a, e, and s. The overall geometry favors straight-sided bowls and flattened curves, giving round glyphs (O, 0, o) a superelliptical feel rather than a true circle. Terminals are blunt and squared, and the lowercase shows sturdy, simplified forms with short ascenders/descenders and a prominent, dense rhythm in text.

Best suited to headlines, short statements, signage, and logo/brand marks where strong silhouette and immediate legibility at large sizes matter. It can work for packaging and promotional graphics that benefit from a dense, confident word shape. For long-form reading, the closed apertures and heavy texture may feel overbearing, so it’s strongest in display roles.

The tone is assertive and energetic, with a friendly softness coming from the rounded corners. Its compact, blocky silhouettes read as sporty and poster-like, evoking mid-to-late 20th‑century display typography and bold branding. In paragraphs it feels loud and attention-seeking rather than delicate or literary.

The design appears intended to deliver maximum impact in a compact footprint while staying approachable through rounded-rectangle curves. It prioritizes bold silhouette consistency and a solid, uniform texture across uppercase, lowercase, and figures for branding and display applications.

Spacing and sidebearings appear designed to pack tightly, producing dark, continuous text color. The numerals follow the same squared-round logic, and punctuation (like the colon) is thick and visually matched to the weight, reinforcing a cohesive, high-impact voice.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸