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Free for Commercial Use

Serif Flared Rydov 3 is a bold, wide, medium contrast, upright, normal x-height font visually similar to 'Modesto Text' by Parkinson and 'Malik' by Zetafonts (names referenced only for comparison).

Keywords: headlines, magazine, branding, posters, packaging, editorial, heritage, confident, warm, formal, display impact, editorial tone, classic authority, crafted detail, bracketed, flared, ink-trap, beak terminals, sculpted.


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A heavy, sculpted serif with pronounced flaring into the terminals and strongly bracketed serifs that read as wedge-like rather than slabby. Strokes are broadly modulated with a firm, upright axis and generous, rounded bowls; counters stay open and stable despite the weight. Joins and terminals show crisp shaping—beaked corners, notched/ink-trap-like cut-ins, and slightly calligraphic swell points that give the outlines a carved, press-like finish. The lowercase presents a sturdy rhythm with compact apertures and solid feet, while caps are wide-set and blocky with emphatic horizontal serifs and rounded interior curves.

Best suited for headlines, mastheads, and short-to-medium text at larger sizes where its flared terminals and carved details remain clear. It also fits branding systems that want a traditional, editorial voice—book covers, cultural institutions, premium packaging, and statement typography in posters or campaigns.

The overall tone is authoritative and traditional, with a warm, crafted personality that recalls print editorial and institutional typography. Its flared endings and sculpted terminals add a subtle historic and humanist flavor, making it feel established rather than purely geometric or modern.

The design appears intended to deliver strong readability and presence while signaling heritage and craft through flared, bracketed serifs and carefully shaped terminals. It aims for a confident, display-forward texture that stays cohesive across uppercase, lowercase, and figures.

The numerals are bold and display-oriented, with rounded forms and distinctive terminals that match the serif language of the letters. Diacritics aren’t shown, but the punctuation and ampersand style in the sample text suggest a classic, high-contrast-aware drawing approach with deliberate terminal detailing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸