Sans Other Bukaz 6 is a regular weight, wide, medium contrast, italic, normal x-height font.
Keywords: posters, headlines, logotypes, packaging, event promo, dynamic, edgy, retro, playful, energetic, attention grab, motion, branding, graphic edge, display impact, angular, sheared, chiseled, high-tilt, wedge-cut.
A slanted, sans-derived display face with sharply sheared terminals and a distinctly cut-out construction. Strokes alternate between smooth, rounded bowls and crisp, wedge-like joins, creating a rhythmic, blade-edged silhouette. Many glyphs show deliberate internal notches and split strokes (notably in rounded forms and some diagonals), giving the impression of stencil-like breaks without fully becoming a conventional stencil. Proportions feel roomy and extended, with lively baseline behavior and slightly irregular stroke endings that add motion and bite in both caps and lowercase.
Best suited to display settings where its cut-in details and strong slant can be appreciated—posters, brand marks, packaging, event promotions, and short headline copy. It can work for bold pull quotes or subheads when set with generous size and leading, but it is less comfortable for sustained reading at small text sizes.
The overall tone is fast, sporty, and a little rebellious—more poster and title-card than neutral text. Its carved, sliced details add a mildly aggressive edge while the rounded counters keep it approachable and playful. The italicized energy reads as expressive and attention-seeking, with a vintage sign-painting-meets-comic-title attitude.
The design appears intended to deliver an italic, high-motion sans look with a signature “sliced” construction that differentiates it from standard obliques. By combining rounded skeletons with angular cut terminals and internal breaks, it aims to feel modern, punchy, and graphic—optimized for impact in display typography.
The distinctive split/ink-trap-like cuts become more pronounced at larger sizes and can visually fragment at small sizes, especially in dense words. Spacing appears open enough for headlines, but the sharp terminals and intermittent breaks create a busy texture in longer passages.