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Free for Commercial Use

Sans Normal Okkim 10 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Monto Screen' by Lucas Tillian, 'Interval Sans Pro' by Mostardesign, 'Jasan' by Storm Type Foundry, and 'Itoya' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, ui labels, modern, confident, clean, friendly, functional, clarity, impact, versatility, neutrality, modernity, geometric, neo-grotesque, high legibility, crisp, robust.


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A solid, contemporary sans with broad, even strokes and minimal contrast. Curves are smooth and round, while joins and terminals are clean and largely horizontal or vertical, giving the design a crisp, engineered feel. Counters are open and generously sized for the weight, and the overall proportions read compact and steady rather than condensed or extended. The lowercase is straightforward and highly legible, with a single-storey “g,” a round “e” with a horizontal crossbar, and a sturdy “t” with a short, squared cross stroke. Numerals are full and stable, with a notably round “0” and uniform, heavy shapes across the set.

Well suited for headlines, posters, and brand marks where a strong, clean voice is needed. The open counters and straightforward letterforms also make it practical for signage and UI labels, especially at medium-to-large sizes where its weight and geometry can carry hierarchy clearly.

The tone is modern and pragmatic with a friendly edge—strong enough for emphasis but neutral enough to stay out of the way. Its geometry and smooth curves convey clarity and confidence, making it feel contemporary and dependable rather than ornamental or expressive.

The design appears intended as a modern, workhorse sans that delivers high impact without stylistic distraction. Its consistent geometry, open shapes, and sturdy construction suggest an emphasis on clarity, versatility, and confident presence across display-oriented applications.

The cap set has firm, simple construction and consistent rhythm; diagonals (A, V, W, X, Y) are straight and emphatic, while round letters (C, G, O, Q) keep a clean circular logic. Spacing appears balanced for display and short text, and the heavy color on the page suggests it will hold up well against busy backgrounds.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸