Sans Normal Obdut 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Novel Display' by Atlas Font Foundry, 'Delargo DT' by DTP Types, 'Linotype Aroma No. 2' by Linotype, 'Adagio Sans' by Machalski, 'Accia Sans' by Mint Type, 'Andulka Sans' by Storm Type Foundry, 'Cinta' by Tipo Pèpel, 'Plusquam Sans' by Typolis, and 'Acorde' by Willerstorfer (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, friendly, playful, punchy, retro, impact, approachability, clarity, simplicity, display strength, rounded, soft corners, geometric, chunky, compact.
A heavy, rounded sans with compact proportions and broad, even strokes. Curves are built from simple geometric arcs and circles, with softly squared joins and terminals that keep counters open despite the dense weight. Round letters like C, O, and Q read as near-circular, while straight-sided forms like E, F, H, and N stay blocky and stable. Lowercase shows single-storey a and g, a round i/j dot, and a short-armed r, producing a clean, simplified texture. Numerals are stout and highly legible, with a circular 0 and wide, sturdy bowls in 6, 8, and 9.
Best suited to headlines, posters, and identity work where strong typographic color and simple geometry are desirable. It also works well for packaging and signage that needs a friendly, attention-grabbing voice, and for short UI labels where clarity at larger sizes is important.
The overall tone is bold and approachable, combining a solid, assertive presence with friendly rounded shaping. It feels contemporary with a slight retro sign-painter/poster sensibility, making text look energetic and upbeat rather than formal.
The likely intent is a robust, modern geometric sans optimized for high-impact display use, with simplified lowercase forms and softened corners to keep the weight from feeling harsh. Its construction suggests a focus on clarity, consistency, and a memorable silhouette in large settings.
The design maintains a consistent rhythm across uppercase and lowercase, with minimal modulation and a preference for broad internal spaces and straightforward construction. It performs especially well at display sizes where its rounded geometry and dense color become a defining graphic element.