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Sans Superellipse Afmad 15 is a light, normal width, low contrast, upright, normal x-height font visually similar to 'Boxed' and 'Boxed Round' by Tipo Pèpel and 'JP Alva' by jpFonts (names referenced only for comparison).

Keywords: ui text, product design, signage, dashboards, editorial display, clean, modern, neutral, technical, friendly, system clarity, modern neutrality, softened geometry, brand friendliness, interface readiness, rounded, monoline, geometric, open apertures, soft corners.


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This typeface is a rounded, monoline sans with smooth, superellipse-like curves and softly squared counters. Strokes maintain an even thickness throughout, with rounded terminals and corners that keep joins gentle rather than sharp. Proportions are fairly geometric with a steady rhythm, and the bowls and rounds (C, O, Q, a, e, o) read as rounded rectangles more than perfect circles. Lowercase forms are simple and workmanlike, with single-storey a and g, a modest shoulder on r, and straightforward vertical stems; numerals follow the same softened geometry with clear, open shapes.

It suits interface typography, product labeling, and wayfinding where a clean, rounded sans can soften a system without losing clarity. The even strokes and simple constructions also work well for headings and short-to-medium text in modern editorial or brand applications, especially where a contemporary, approachable tone is desired.

The overall tone is contemporary and understated, balancing a slightly friendly softness from the rounding with a practical, engineered clarity. It feels neutral and dependable rather than expressive, making it easy to pair with many visual systems without calling attention to itself.

The design appears intended to provide a modern geometric sans with softened, superellipse-driven shapes—aiming for clarity and consistency while adding a gentle friendliness through rounded corners and terminals. It prioritizes a cohesive, system-friendly rhythm that remains legible and restrained in everyday use.

Roundness is applied consistently across the set, giving text a smooth texture at larger sizes while preserving clear internal spaces. Letterforms keep their geometry tight and tidy, which supports a clean typographic color in paragraphs and interface-style layouts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸