Sans Superellipse Sokup 2 is a very bold, normal width, medium contrast, upright, tall x-height font visually similar to 'EastBroadway' by Tipos Pereira (names referenced only for comparison).
Keywords: posters, headlines, sports branding, packaging, signage, industrial, sporty, retro, sturdy, technical, high impact, brand display, signage clarity, geometric cohesion, condensed caps, rounded corners, squared bowls, flat terminals, compact spacing.
A heavy, compact sans with rounded-rectangle construction and softly chamfered corners throughout. Strokes are consistently thick with minimal modulation, and terminals tend to end flat, creating a blocky, engineered silhouette. Counters are squared-off and tight, with rectangular apertures that keep forms dense and punchy. Uppercase shapes feel slightly condensed and uniform, while lowercase introduces more width variation and a few angular joins, maintaining the same squarish rounding and strong vertical rhythm. Numerals follow the same boxy geometry, designed for firmness and high impact rather than delicacy.
Best suited to display roles where bold presence and compact geometry are assets: posters, headlines, sports or event branding, packaging, and wayfinding-style signage. It can work for short bursts of text such as labels and UI headings, but its tight counters and dense color are most effective at larger sizes or with generous tracking.
The overall tone is muscular and utilitarian, with a retro-industrial flavor reminiscent of stenciled signage, sports titling, and equipment labeling. Its rounded corners soften the aggression just enough to feel approachable, while the compact counters and solid color keep it assertive and modern.
This font appears designed to deliver maximum impact with a cohesive rounded-rectangular theme, balancing toughness with controlled softness at the corners. The goal seems to be a highly legible, brandable display sans that reads quickly and retains a distinctive, engineered character across caps, lowercase, and figures.
The design leans on squared curves and narrow openings, so texture becomes dark and continuous in longer passages. The rhythm is especially strong in uppercase settings, where repeated verticals and flat endings create a disciplined, mechanical cadence.