Sans Normal Riley 3 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'SST' by Monotype and 'Core Gothic N', 'Core Sans', 'Core Sans AR', 'Core Sans N', 'Core Sans N SC', and 'Core Sans NR' by S-Core (names referenced only for comparison).
Keywords: ui text, product labels, signage, presentations, editorial, neutral, modern, friendly, utilitarian, clean, legibility, neutrality, versatility, clarity, everyday use, rounded, monoline, open counters, soft terminals, geometric.
A clean sans with a slightly geometric construction and softly rounded curves. Strokes read as even and monoline, with squared-off yet softened terminals that keep the texture calm and consistent. Counters are generally open and generous, and round letters like O/C/G show smooth, near-circular bowls. The lowercase is straightforward and highly legible, with a simple single-storey a and g, a short-shouldered r, and a balanced, compact s; numerals are plain and functional with clear differentiation at text sizes.
This font works well for interface copy, dashboards, and general-purpose UI where steady rhythm and clear forms matter. It also fits wayfinding and signage, product packaging and labels, and everyday editorial or presentation typography that benefits from a modern, unobtrusive sans.
The overall tone is neutral and contemporary, leaning friendly rather than clinical thanks to rounded shapes and unobtrusive details. It feels practical and approachable, suited to clear communication without drawing attention to itself.
The design appears intended as a dependable, general-purpose sans that prioritizes legibility and consistency. Its rounded geometry and minimal detailing suggest a focus on broad usability across screens and print while maintaining a contemporary, approachable voice.
In text, the rhythm is even and stable with consistent spacing and restrained shaping, producing a tidy, predictable color on the page. Capitals appear robust and uncomplicated, while the lowercase maintains clarity through open apertures and modest joins.