Hollow Other Itji 2 is a bold, normal width, very high contrast, reverse italic, normal x-height font.
Keywords: posters, packaging, stickers, children’s, headlines, playful, retro, cartoon, bubbly, hand-drawn, attention-grab, retro sign, comic style, playfulness, dimensionality, outlined, inline, rounded, puffy, bouncy.
A rounded, puffy display face built from thick outer contours with multiple inner inline strokes that create a hollow, layered look. Letterforms are irregular in a deliberately hand-drawn way, with bouncy baselines, uneven curves, and occasional bulges that make the shapes feel animated rather than geometric. Counters are generally open and generous, and terminals are soft and rounded; several glyphs show stacked contour lines and small internal cut-ins that enhance the dimensional, doodled effect. Spacing reads as lively and slightly inconsistent, reinforcing the informal, illustrative rhythm.
Best suited to display use such as posters, playful branding, product packaging, event graphics, stickers, and social media titles. It works well when you want a loud, friendly headline or a short phrase with a cartoon-like presence, and is especially effective when given room to breathe on light backgrounds.
The overall tone is cheerful and whimsical, with a nostalgic flavor reminiscent of comic lettering, sticker graphics, and playful signage. Its layered outlines and wobbly construction give it a fun, energetic voice that feels casual and attention-seeking rather than refined or corporate.
This font appears designed to deliver an eye-catching, dimensional outline style with a hand-drawn bounce, prioritizing personality and visual texture over strict uniformity. The layered hollow/inlined construction suggests an intention to evoke retro cartoon signage and playful, illustrative lettering in a single, ready-to-use display face.
The multi-line interior striping creates a strong figure/ground pattern that can shimmer at small sizes and in dense paragraphs, while staying striking at headline scales. Numerals and capitals share the same inflated, outlined treatment, keeping the set visually cohesive for short, expressive bursts of text.