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Free for Commercial Use

Sans Normal Nymeb 5 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'BR Nebula' by Brink, 'Jostern' by EMME grafica, 'Ardena' by Fincker Font Cuisine, 'Muller' by Fontfabric, 'Equip' by Hoftype, 'Nyata' by Marsnev, 'Posterama' by Monotype, and 'Neurath' by René Bieder (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, logos, playful, friendly, chunky, punchy, retro, impact, approachability, nostalgia, simplicity, signage, rounded, bulky, compact, soft-cornered, geometric.


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A heavy, rounded sans with broad proportions and a compact, blocky build. Curves are drawn from simple geometric forms, producing circular counters and smooth, full bowls, while joins and terminals stay clean and largely unmodulated. The lowercase is sturdy and dense, with short ascenders/descenders and minimal interior detail; diagonals (as in K, V, W, X) read as thick wedges that keep the overall rhythm bold and uniform. Figures follow the same chunky geometry, with large, open shapes and straightforward silhouettes suited to display sizing.

Best suited for headlines, posters, packaging, and branding where a bold, friendly presence is needed. It works well for logos and short taglines, especially in contexts aimed at upbeat or nostalgic messaging, and can hold up in large-format signage where its simple shapes remain clear.

The overall tone is friendly and approachable, with a toy-like softness created by the rounded geometry and substantial weight. Its chunky forms feel energetic and confident, leaning toward a retro sign-painting and mid-century display sensibility rather than a technical or minimalist voice.

The design appears intended to deliver maximum impact with a warm, rounded character: a straightforward geometric construction, simplified counters, and strong black presence that prioritizes immediacy and recognizability in display settings.

Spacing appears generous for a display face, helping dense letterforms stay readable in short lines. The design favors simple silhouettes over fine detailing, which keeps texture consistent but can make long passages feel visually heavy at smaller sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸