Sans Superellipse Manez 9 is a very bold, normal width, monoline, italic, normal x-height font visually similar to 'Autoprom Pro' by Stefan Stoychev (names referenced only for comparison).
Keywords: headlines, logos, posters, sports branding, gaming ui, sporty, futuristic, energetic, techy, playful, impact, speed, modernity, branding, display, rounded, oblique, chunky, soft-cornered, squared-round.
A heavy, oblique sans with squared-round construction: strokes feel built from rounded rectangles, producing boxy counters and softened corners throughout. Curves are tight and controlled, with a consistent monoline feel and minimal contrast. Terminals are blunt and rounded, and many joins show generous radiusing that keeps the texture smooth despite the mass. The rhythm is compact and punchy, with wide, stable bowls and slightly compressed apertures that read as sleek rather than airy.
This font is best suited to short, high-impact settings such as headlines, posters, packaging callouts, and logo wordmarks. It also fits sports, esports, and automotive-style graphics where a sense of speed and strength is desired, and can work well for UI labels or splash screens when used at sufficiently large sizes.
The overall tone is bold and kinetic, with a contemporary, performance-driven attitude. Its rounded-square geometry and forward slant suggest speed and technology, while the soft corners keep it approachable rather than aggressive. The result feels suited to modern, high-impact branding with a playful edge.
The design appears intended to deliver a modern, speed-forward display voice by combining a strong oblique stance with superelliptical, rounded-rectangle letterforms. The consistent stroke weight and softened corners prioritize bold presence and clean reproduction across graphic applications.
Uppercase and lowercase share a strongly unified, modular shape language, helping text blocks look cohesive at display sizes. Numerals match the same rounded-rectangle logic, giving UI-like clarity and a distinctly engineered look. Spacing appears designed to keep letters visually connected without actually touching, maintaining a dense, headline-friendly color.