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Free for Commercial Use

Sans Superellipse Maram 1 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Siro' by Dharma Type, 'Flexo Soft' by Durotype, 'EB Corp' by Eko Bimantara, 'Futo Sans' by HB Font, 'Univia Pro' by Mostardesign, and 'Bitner' and 'Planer' by The Northern Block (names referenced only for comparison).

Keywords: headlines, branding, posters, sportswear, packaging, sporty, playful, retro, friendly, techy, impact, motion, friendliness, display, rounded, oblique, chunky, compact, smooth.


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A heavy, rounded sans with a consistent oblique slant and soft, superelliptical curves throughout. Strokes are thick and even, with large-radius corners that keep joins and terminals smooth rather than sharp. Counters are relatively small for the weight, and many forms lean toward rounded-rectangle construction, giving letters a compact, molded feel. The rhythm is tight and energetic, with simple, sturdy shapes and minimal interior detailing.

Best suited to display settings where impact matters: headlines, logos, labels, packaging, and poster work. It also fits sporty identities, product marks, UI titles, and short promotional copy where a rounded, dynamic tone is desired. For longer text, it works most comfortably at larger sizes or in short bursts such as pull quotes and callouts.

The overall tone is bold and upbeat, reading as friendly and approachable while still feeling assertive. Its rounded geometry and steady slant suggest motion and speed, evoking sporty, arcade, and late-20th-century display aesthetics. The result is lively and attention-grabbing rather than formal or restrained.

The design appears intended to deliver a fast, modern, and approachable display voice by combining a strong oblique posture with rounded, superellipse-based construction. Its simplified shapes and uniform stroke weight prioritize bold presence and easy recognition in branding and promotional contexts.

Figures match the letterforms with the same softened corners and thick, monoline construction, producing strong, high-impact numerals. Diacritics are not shown; punctuation in the sample text keeps the same weight and rounded treatment, helping headlines feel cohesive. At smaller sizes, the heavy weight and tight counters may benefit from generous spacing and short line lengths.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸