Font Hero

Endless Fonts
Free for Commercial Use
Download Now

Serif Flared Usma 9 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Harmonique' by Monotype (names referenced only for comparison).

Keywords: book text, magazines, editorial, branding, headlines, classic, bookish, formal, trustworthy, readability, editorial tone, traditional voice, subtle distinction, bracketed serifs, flared terminals, oldstyle feel, moderate aperture, calligraphic stress.


Free for commercial use
Customize the font name

A text-oriented serif with softly bracketed serifs and subtly flared stroke endings that broaden into terminals. The overall contrast stays restrained, with rounded joins and a calm, steady rhythm that reads comfortably at paragraph sizes. Proportions feel traditionally balanced: slightly condensed capitals with crisp triangular/bracketed serifs, and lowercase forms that show gentle modulation and open counters. Figures are lining and serifed, matching the letters with similar flare and weight distribution.

It performs well in long-form reading contexts such as books, reports, and magazine articles, where the even color and open counters support legibility. The confident capitals and orderly numerals also make it a strong option for editorial headlines, institutional branding, and packaging that needs a classic, reputable voice.

The tone is traditional and literary, with an editorial polish that suggests authority without feeling rigid. Its flared endings add a touch of warmth and craft, giving the face a dignified, established character suited to serious but approachable communication.

The design appears intended to deliver a dependable, print-classic reading experience while distinguishing itself through gentle flaring and refined serif shaping. It aims for versatility across text and display settings, prioritizing a composed page texture and a timeless, editorial presence.

The design shows consistent terminal treatment across caps, lowercase, and numerals, creating a unified texture. Round letters (O/Q/C) keep smooth curves and generous interior space, while diagonals (V/W/X/Y) stay crisp but not overly sharp, maintaining an even typographic color.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸