Serif Flared Abbab 2 is a regular weight, normal width, high contrast, upright, normal x-height font visually similar to 'Blacklist' and 'Calibra' by Great Studio and 'Callisen' by Zane Studio (names referenced only for comparison).
Keywords: editorial, book text, magazines, headlines, branding, elegant, literary, classic, refined, premium feel, editorial voice, classical revival, readability, bracketed, calligraphic, oldstyle, smooth, crisp.
This serif design shows pronounced thick–thin modulation with smooth, calligraphic transitions and gently flared stroke endings. Serifs are finely shaped and mostly bracketed, giving terminals a sculpted, slightly tapered feel rather than blunt slabs. Proportions lean classical with moderate apertures and an even, measured rhythm; round letters are full and open, while verticals stay crisp and steady. Lowercase forms read as traditional and text-oriented, with a two-storey a and g, compact joins, and neatly finished terminals that keep paragraphs cohesive at display-to-text sizes.
Well suited to editorial systems where you need a sophisticated serif for headlines and subheads, and a compatible voice for larger text settings. It can also support literary branding, packaging, and identity work that benefits from classical forms with a subtly contemporary finish.
The overall tone is refined and bookish, balancing sophistication with approachability. Its high contrast and polished detailing add a sense of formality, while the smooth flaring and gentle bracketing keep it from feeling brittle or overly sharp. The result suggests a contemporary take on traditional print typography.
The design appears intended to merge traditional serif readability with a more sculpted, slightly flared finishing that adds character in display use. Its balance of contrast, disciplined proportions, and carefully shaped terminals suggests a focus on premium typography for print-like applications.
In running text, the face maintains a strong baseline and consistent color, with clear differentiation between similar forms (for example, the numeral set and the uppercase). The capitals feel well-suited to titling, with rounded bowls and confident vertical stress that pair naturally with the more fluid lowercase.