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Free for Commercial Use

Sans Superellipse Jefa 11 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Jazz Gothic' by Canada Type, 'Stallman Round' by Par Défaut, 'Goodland' by Swell Type, and 'Dohrma' by The Northern Block (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, signage, industrial, assertive, retro, mechanical, compact, impact, compactness, modular geometry, bold branding, blocky, rounded corners, condensed, chunky, squared curves.


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A heavy, compact sans built from rounded-rectangle (superellipse) shapes and broad vertical stems. Corners are consistently softened, producing squared curves in bowls and counters, while joins and terminals stay blunt and mostly horizontal/vertical. Counters are small and often rectangular, with tight apertures and minimal internal detailing, giving the letters a dense, poster-like color. Proportions are condensed with strong vertical emphasis, and the lowercase follows the same modular, block-based construction with a tall x-height and short extenders.

Best suited to short, high-impact settings such as posters, headlines, branding marks, packaging callouts, and bold signage where a dense, compact texture is desirable. It can work for short subheads or labels, but the tight counters and heavy mass make it less comfortable for extended reading at small sizes.

The overall tone is forceful and utilitarian, with a retro industrial flavor reminiscent of stenciled signage and bold display titling. Its rounded corners soften the severity just enough to feel approachable while still reading as tough, mechanical, and confident.

The design appears intended to deliver maximum visual impact in a compact width, using superellipse geometry and softened corners to create a cohesive, modular system that feels both industrial and contemporary.

Rhythm is driven by repeated vertical strokes and consistent corner radii, creating a uniform, monolithic texture in text. The figures match the letterforms in weight and geometry, and the punctuation in the sample reads as chunky and high-impact, reinforcing the display-first character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸