Sans Superellipse Jefa 10 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Churchward 69' by BluHead Studio, 'Mowray' by Graha Type, 'Hubba' by Green Type, 'Stallman Round' by Par Défaut, and 'Goodland' by Swell Type (names referenced only for comparison).
Keywords: headlines, posters, logotypes, signage, packaging, industrial, retro, assertive, compact, techy, space saving, high impact, modular geometry, signage feel, blocky, rounded, square-ish, geometric, condensed.
A compact, blocky sans with rounded-rectangle construction and softened corners throughout. Strokes are thick and largely monoline, with counters kept small and rectangular, producing a dense, ink-heavy color in text. Many joins and terminals are squared-off with subtle rounding, and several glyphs show stepped or notched interior cuts that emphasize a machined, modular feel. Curves (C, O, S) read as squarish bowls rather than true circles, and diagonals (K, V, W, Y, Z) are simplified into sturdy wedges that maintain the overall tight rhythm.
Best suited to short, high-impact settings such as headlines, posters, brand marks, and bold packaging callouts where its dense silhouettes can carry presence. It also works well for signage-style layouts and tech or industrial-themed graphics that benefit from a compact, modular rhythm.
The overall tone is forceful and utilitarian, with a retro display energy that recalls stenciled signage and arcade-era graphics. Its compact shapes and tight apertures create a serious, no-nonsense voice that can feel technical and industrial.
The design appears intended to deliver maximum punch in limited horizontal space by combining condensed proportions with rounded-rectangular geometry. Its simplified bowls and notched cuts suggest a deliberate effort to look engineered and repeatable, optimizing for strong shapes that hold up at display sizes.
The figures are heavy and punchy, with simplified geometry that favors solid mass over delicate detail; the 8 has stacked rectangular counters and the 0 is a rounded rectangle with a small inner window. Lowercase forms stay boxy and compact, and the overall spacing appears tuned for impactful headlines rather than airy text.