Sans Other Ehbo 13 is a very bold, normal width, monoline, italic, normal x-height font visually similar to 'Midfield' by Kreuk Type Foundry, 'Stallman Round' by Par Défaut, and 'Huberica' by The Native Saint Club (names referenced only for comparison).
Keywords: posters, logotypes, sports branding, titles, packaging, sporty, techno, retro, energetic, punchy, impact, motion, display, branding, modern retro, rounded corners, angular cuts, compact, chamfered, squarish.
A heavy, forward-leaning sans with a compact, blocky build and tightly controlled counters. Strokes keep a consistent thickness while terminals and joins are shaped with rounded corners and crisp chamfer-like cuts, creating a distinctive notched, sculpted silhouette. The design mixes squared bowls with softened edges, producing strong black shapes and a rhythmic, slightly modular feel, with occasional wedge-like apertures and cut-ins that emphasize motion and direction.
Best suited for headlines, posters, and branding where strong impact is needed—especially sports-themed graphics, energetic product packaging, and display typography for entertainment or tech-forward concepts. It can work in short bursts of text for emphasis, but its dense counters and heavy color are optimized for display rather than extended reading.
The overall tone is assertive and high-impact, combining a sporty headline energy with a retro-futuristic, arcade-like flavor. Its slanted stance and carved details read as fast, confident, and attention-grabbing, lending a competitive, performance-oriented feel.
The design appears intended to deliver maximum visual punch with a dynamic slant and distinctive carved geometry, balancing squared construction with softened corners for a contemporary yet nostalgic display voice. The consistent stroke weight and sculpted terminals suggest a focus on bold, repeatable shapes that hold up in prominent, attention-driven settings.
The bold mass and compact internal spaces make it most convincing at larger sizes, where the cut details and rounded chamfers remain clearly legible. The letterforms lean on silhouette and negative-space shaping more than delicate internal detail, giving the font a strong poster-style presence.