Sans Superellipse Humir 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'FF Good' and 'FF Good Headline' by FontFont, 'Gotham' by Hoefler & Co., and 'Azbuka' by Monotype (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, sports branding, sturdy, sporty, friendly, punchy, retro, impact, warmth, solidity, display emphasis, rounded, blocky, compact, soft corners, heavy terminals.
A compact, heavy sans with rounded-rectangle construction and softly chamfered corners that keep the mass from feeling harsh. Strokes are consistently thick with minimal modulation, producing a dense, even color and strong sign-painting presence. Counters are small and squared-off, and many joins are simplified into blunt, geometric transitions; diagonals (like in V/W/X) are broad and stable rather than sharp. The uppercase reads tightly with short-looking apertures, while the lowercase stays sturdy and squat, favoring solid bowls and minimal finesse over delicate detail.
Best suited for headlines, posters, and bold identity work where a compact, high-impact voice is needed. It can also work well on packaging and labels, team or sports branding, and short UI callouts where clarity at larger sizes matters more than long-form reading comfort.
The overall tone is confident and approachable—more workwear and athletics than corporate. Its rounded geometry adds warmth, while the weight and compactness communicate strength and immediacy, giving it a slightly retro, poster-ready energy.
Likely designed to deliver maximum visual punch with a friendly, rounded-industrial silhouette—combining a sturdy, compact footprint with softened corners for broad, accessible appeal in display typography.
The font’s geometry emphasizes rounded corners and thick internal whitespace management, which makes shapes feel carved from a single block. This creates strong impact at large sizes, but the small counters and tight apertures can visually close up as size decreases or when tracking is tight.