Print Redo 4 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Bungler' and 'Cheesy Quote' by Bogstav (names referenced only for comparison).
Keywords: posters, headlines, packaging, stickers, kids branding, playful, friendly, punchy, casual, energetic, handmade warmth, bold impact, casual display, youthful tone, comic emphasis, rounded, chunky, bouncy, brushy, soft-cornered.
A heavy, slanted handwritten print with chunky, rounded forms and a lively, uneven rhythm. Strokes feel brush-drawn and slightly irregular, with soft corners and subtly wobbly edges that keep the texture organic. Counters are compact and openings are modest, giving the letters a dense, poster-like color while maintaining clear silhouettes. The overall spacing and letter widths vary a bit from glyph to glyph, reinforcing the hand-made feel rather than rigid geometric consistency.
Well suited to short, bold applications such as posters, headlines, product packaging, and playful branding where a friendly, hand-made voice is desired. It can work for brief captions or emphasis in social graphics, but the dense weight and compact counters make it more effective at larger sizes than in extended reading.
The tone is upbeat and informal, with a comic, kid-friendly warmth. Its bold presence reads as approachable and humorous, projecting energy more than refinement. The consistent forward slant adds motion and enthusiasm, making phrases feel animated and conversational.
The design appears intended to deliver a bold, handwritten personality with an energetic slant and a brushy, imperfect finish. Its construction prioritizes character and immediacy—like quick, confident lettering—while keeping letterforms recognizable and cohesive across the set.
Uppercase and lowercase share the same chunky, rounded construction, and the numerals match the same soft, hand-drawn weight and tilt. The texture is most noticeable in diagonals and curves, where slight variations in stroke contour suggest marker or brush pressure. In longer text samples, the strong black mass dominates, so the face reads best when used for impact rather than subtlety.