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Free for Commercial Use

Stencil Upba 9 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'BR Candor' and 'BR Segma' by Brink, 'Just Sans' by JUST Creative, 'Bahn' by Stawix, and 'Exalted' by Zafara Studios (names referenced only for comparison).

Keywords: headlines, posters, packaging, wayfinding, signage, modern, industrial, technical, futuristic, minimal, stencil utility, system signage, modern branding, industrial labeling, geometric, stenciled, segmented, high-contrast gaps, architectural.


Free for commercial use
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A geometric sans with monoline strokes and consistent stencil breaks that create clear bridges across bowls, stems, and crossbars. Curves are built from near-circular arcs with deliberate cutouts, giving letters a segmented, constructed feel rather than continuous outlines. Terminals are mostly clean and straight, with a crisp, engineered rhythm; counters stay relatively open despite the interruptions. Uppercase forms read tall and orderly, while the lowercase maintains a simple, single-storey approach in several shapes, keeping the texture uncluttered and graphic.

Best suited to display settings where the stencil pattern can be appreciated—headlines, posters, packaging, and identity accents. It also fits wayfinding or product labeling themes thanks to its engineered construction, and works well in short bursts of text where the segmented strokes remain clearly legible.

The repeated breaks and clean geometry convey a precise, industrial tone with a contemporary, slightly sci‑fi edge. It feels functional and engineered—more like labeling and systems design than editorial typography—while still reading as friendly enough for modern branding when used at larger sizes.

The design appears intended to merge a clean geometric sans foundation with unmistakable stencil functionality, using consistent bridges to create a crafted, industrial surface. The result prioritizes strong shape recognition and a system-like visual rhythm, aiming for modern, technical communication with distinctive character.

The stencil bridges are applied consistently across the set, producing a distinctive pattern in text lines where gaps align and flicker. Numerals echo the same segmented logic, especially in rounded figures, reinforcing a cohesive display texture. The overall silhouette is clean and minimal, with the stencil cuts providing most of the personality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸