Sans Other Janom 1 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Sans Beam' by Stawix (names referenced only for comparison).
Keywords: branding, headlines, posters, ui labels, packaging, modernist, technical, minimal, editorial, distinctive, distinctiveness, system motif, modern utility, brand voice, geometric, monoline, cutout details, open apertures, stencil-like.
A clean, monoline sans with geometric construction and sharply controlled curves. Many glyphs incorporate deliberate vertical cutouts or split strokes (notably in C, D, O/Q, and several figures), giving a subtle stencil-like effect while keeping overall letterforms intact. Terminals are predominantly straight or softly squared, bowls are round and even, and apertures tend toward open, producing a crisp, airy rhythm in text. Capitals feel slightly display-oriented with simplified structure, while lowercase keeps straightforward, readable proportions and consistent stroke behavior.
Works well for branding and editorial headlines where the cutout detailing can be appreciated, and for posters or packaging needing a modern, distinctive sans voice. At smaller sizes it can still serve for UI labels or short text, where the clean monoline build keeps forms orderly while the breaks provide subtle differentiation.
The repeated cutout motifs lend a precise, engineered tone—modern and slightly experimental without becoming decorative. It reads as contemporary and systems-minded, with a cool, utilitarian character suited to brands that want distinction through restraint.
Likely designed to reinterpret a familiar sans structure with a consistent system of internal breaks, creating recognizability without adding ornament. The goal appears to be a modern, functional typeface with an embedded signature detail that scales from display to practical usage.
The design’s signature is the recurring internal breaks that create a consistent visual hook across letters and numerals, adding texture at larger sizes and a faintly “coded” or instrument-panel feel. Rounded forms (O, Q, 0, 6, 8, 9) emphasize the cutout theme, and diagonal-heavy letters (V, W, X, Y) keep a crisp, angular cadence against the otherwise circular geometry.