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Free for Commercial Use

Serif Flared Guro 3 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Adversary BB' by Blambot, 'FX Neofara' by Differentialtype, 'Helvetica' by Linotype, 'Helison' by RantauType, and 'Alterous Display' and 'Alterous Text' by ZetDesign (names referenced only for comparison).

Keywords: sports branding, headlines, posters, packaging, logos, sporty, assertive, retro, urgent, punchy, impact, speed, space-saving, attention-grabbing, heritage edge, compressed, oblique, flared, ink-trap feel, angular.


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A compact, right-leaning serif with heavy, tightly packed letterforms and a distinctly compressed footprint. Strokes stay largely even in weight, with subtle widening into flared terminals that read like sharpened, wedge-like finishes rather than long bracketed serifs. Curves are squarish and controlled, with rounded corners and occasional notch-like cut-ins that give counters a slightly carved, ink-trap-adjacent feel. The overall rhythm is energetic and dense, with short ascenders/descenders relative to the bold body and numerals that match the same condensed, forward-tilted construction.

Best suited to display work where immediacy matters: sports identities, event posters, bold editorial headlines, and high-impact packaging. It also works well for wordmarks and short taglines, particularly when a compact, fast, and assertive tone is needed.

The font conveys speed and impact: confident, aggressive, and built for quick recognition. Its oblique stance and compact width suggest motion and competitive energy, while the flared endings add a classic, slightly vintage edge that keeps it from feeling purely industrial.

The design appears aimed at delivering maximum visual punch in minimal horizontal space, combining a condensed oblique skeleton with flared serif-like endings for a hybrid of modern urgency and classic sign-and-poster flavor.

The uppercase set reads especially geometric and blocky, while the lowercase introduces more traditional serif cues (notably in forms like a, g, and y), creating a strong display voice that remains cohesive. Tight internal spaces and sharp joins favor larger sizes where the cut-ins and flares can be appreciated.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸