Font Hero

Free for Commercial Use

Sans Other Admuv 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Knicknack' by Great Scott, 'Display Patrol' by Hanoded, 'Klop' by Invasi Studio, 'MVB Diazo' by MVB, 'Tolyer' by Typesketchbook, and 'Bulltoad' by Typodermic (names referenced only for comparison).

Keywords: posters, headlines, packaging, children's media, stickers, playful, bouncy, cartoon, retro, friendly, display impact, handmade feel, friendly tone, humor, chunky, rounded, irregular, soft corners, bulbous.


Free for commercial use
Customize the font name

A heavy, chunky sans with softly rounded contours and intentionally irregular geometry. Strokes are broadly monolinear, with swollen curves and slightly uneven, hand-cut edge behavior that gives each glyph a subtly unique silhouette. Counters tend to be compact and rounded, terminals are blunt, and the overall rhythm feels lively due to varied widths and small variations in stem angles and bowl shapes. The lowercase is simple and sturdy, with single-storey forms and short, blocky ascenders/descenders that keep the texture dense and graphic.

Best used for short, high-impact settings such as posters, covers, playful branding, packaging, and display headlines where the irregular, chunky forms can be appreciated. It also fits children’s materials, event graphics, and informal signage where warmth and character matter more than compact readability.

The design reads as playful and informal, with a goofy, kinetic energy suited to kid-friendly or comedic messaging. Its wobble and chunky mass evoke a handmade, cut-paper or cartoon title-card feel, leaning nostalgic and approachable rather than precise or technical.

Likely designed as a characterful display sans that prioritizes friendliness and visual punch over strict typographic regularity. The controlled unevenness and rounded massing suggest an aim to mimic handmade lettering while remaining font-consistent for repeated use in bold, attention-getting layouts.

At text sizes the tight counters and heavy joins can reduce interior clarity, while at larger sizes the quirky outlines and buoyant proportions become the main attraction. Numerals share the same rounded, stout construction, helping headlines and short callouts feel cohesive.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸